Rarely has the theater produced so intimate and in-depth a portrait of urban millennial unmarried woman as that seen in [Porto], Kate Benson’s winsome and winning play, currently at Women’s Project Theater.

Playwright Robert Anderson famously said, "You go into show business to make a killing, not a living." But Cynthia von Buhler can say, quite literally, that she has done one by staging the other.

Robin Sokoloff, the founder and Executive Director of the artistic hub Loft227, recently signed a lease on a 9,000-square-foot storefront facility in Tribeca. Located at 221 West Broadway, this space is now known as Town Stages, a new female-driven cultural institution and event venue that functions as a for-profit with a not-for-profit arm.

Natalie Portman is easily one of the more accomplished women in Hollywood, with many titles and honors to her name: Oscar, Golden Globe and BAFTA, to name just a few. But now the actor, producer and director can claim yet another honor: “savage queen” of the 2018 Golden Globes.

In Matthew Lombardo’s one-woman show Who’s Holiday! (directed by Carl Andress), Cindy Lou Who is all grown up — and she isn’t quite the adorable child you remember from Dr. Seuss’s classic How the Grinch Stole Christmas!

January is a month of disciplined eating for many attempting to drop extra pounds gained during two months of holiday parties and dinners. But for Lauren Peckman, four weeks of dining on lentils and rice were not an attempt to lose weight

Dating is rarely easy, but it was a lot easier for me before 2015. Not because I was younger, thinner or less cynical. Rather it’s because, before 2015, Hamilton had not yet opened on Broadway.

Director Alexandra Spencer-Jones tells us why her stage version of A Clockwork Orange stylizes “ultra-violence” and why the play of Anthony Burgess’ novel is especially relevant today.